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Theatre Reviews

It would be a shame for one seat to go empty during this run.
Debuting to 10 Tony Awards 50 years ago, Hello, Dolly! is a rarity among musicals: song and dance blend seamlessly with story, its buoyant innocence saving it from contrivance. Based on Thornton Wilder’s play The Matchmaker, it’s a perfect vehicle for 2nd Star Productions, long recognized for outstanding musicals. The combination of strength in show and talent makes this the best amateur musical production I have seen in 13 years of reviewing.   

Gather under the stars for satins and sequins, top hats and tails and vocal harmonies with that Merry Melodies brand of manic sweetness

It seems only yesterday we were urged to come and meet those dancing feet … on 42nd Street. But the 2001 revival of the 1980 Broadway hit (both multiple Tony Award winners) debuted as a 1933 Warner Brothers film starring Ruby Keeler and Ginger Rogers. Now Annapolis Summer Garden Theatre brings back this buoyant musical extravaganza, after a 20-year hiatus, in a show billed as a “bold celebration of the transcendent joys of Broadway.”

Take an intimate look at private lives affected by corporate callousness.

Colonial Players has kept audiences engaged in a season that has swung from the ridiculous to reality: from a time machine to Death Row, and now from a tabloid fantasy to the Industrial Revolution. In Melanie Marnich’s These Shining Lives, a fictional treatment of a factual tragedy, we meet four victims of radium poisoning whose plight spawned a landmark Supreme Court decision on corporate responsibility and workers’ safety. Despite the legalistic dénouement, this story is less Erin Brokovich than an intimate look at the private lives affected by corporate callousness.

Compass Rose is the first theater to produce this edgy drama

“Why try something new when we already know what we like?” asks the conservative character in Compass Rose’s current production, Another Day On Willow Street.     “Because,” says founding artistic director Lucinda Merry-Browne, “the future of theater depends on new works.”

Dignity Players exits stage left field, imagination amok

For nine years, Dignity Players has mounted quality productions on the themes of social justice and equality — morality plays that inspire with occasional forays into seriocomedy — brilliant, thought-provoking stuff. And now, as Monty Python would say, for something completely different: a hilarious send-up of John Buchan’s classic thriller The 39 Steps, which became a 1935 Alfred Hitchcock hit.

That was pretty cool!

Rock musical and Andrew Jackson make a logical theatrical fit when you think about it: arrows cutting people down in mid-sentence; the scandal of marrying a married woman; a “people’s president” who strengthens the power of his office — yet sparks the creation of the Democratic party while crafting his image to get what he wants. There’s a lot of stage-worthy material to be mined from the life of our seventh president, and Bloody Bloody Andrew Jackson reaches deep.

This romanticized Frankenstein story is a shocking musical with a rocking score.

The story of a Bat Boy living in a West Virginia cave — illustrated with a photoshopped baby picture —  amazed America in 1992 when published by Weekly World News, which bills itself as The World’s Only Reliable News. Playwrights Keythe Farley and Brian Flemming shared the popular fascination, and a gothic science fiction began stewing in their minds.

Can two old geezers find a future past resentment?

For Neil Simon’s The Sunshine Boys, Twin Beach Players reunites the biggest comedy team in Vaudeville for a nostalgic performance of their once-famous Doctor sketch.     Willie Clark (Jeff Larsen) and Al Lewis (Tom Wines) were the act to catch for 43 years. But 11 years ago, Al walked out, leaving Willie to hold the bag of gags.

See it, and Shakespeare lives

Shakespeare’s plays are still being performed 400 years after they were created because they were brilliantly written but also because their themes are timeless.     Not every theater company that takes on Shakespeare can live up to the Bard’s talent and intent, moving beyond the page to vitalize his characters, prose and situations. But when Shakespeare is done well, his stories jump off the page and into our consciousness, demanding our attention and forcing us not just to understand but also to feel what his characters are feeling, and why.

Fired by the kind of love that transcends reason and leaves you weak in the knees.

From the thunderclap of their meeting to their untimely deaths, the power of Romeo and Juliet’s love for each other resonates throughout the play, and throughout history.