view counter

Theatre Reviews

Answer this call and you’ll think twice about who you ­connect with

With a quirky cast of characters and a script full of great one-liners Dead Man’s Cell Phone keep you on your toes guessing and laughing for most of an hour and a half. The plot draws us in with questions we ask about our own mortality and technology.

Actors may flirt with you and filch your food in this frothy romp back in time

With summer comes another season of Molière for moderns, adapted by Tim Mooney and performed by the Annapolis Shakespeare Company in the Courtyard at Reynolds Tavern.
It would be a shame for one seat to go empty during this run.
Debuting to 10 Tony Awards 50 years ago, Hello, Dolly! is a rarity among musicals: song and dance blend seamlessly with story, its buoyant innocence saving it from contrivance. Based on Thornton Wilder’s play The Matchmaker, it’s a perfect vehicle for 2nd Star Productions, long recognized for outstanding musicals. The combination of strength in show and talent makes this the best amateur musical production I have seen in 13 years of reviewing.   

Gather under the stars for satins and sequins, top hats and tails and vocal harmonies with that Merry Melodies brand of manic sweetness

It seems only yesterday we were urged to come and meet those dancing feet … on 42nd Street. But the 2001 revival of the 1980 Broadway hit (both multiple Tony Award winners) debuted as a 1933 Warner Brothers film starring Ruby Keeler and Ginger Rogers. Now Annapolis Summer Garden Theatre brings back this buoyant musical extravaganza, after a 20-year hiatus, in a show billed as a “bold celebration of the transcendent joys of Broadway.”

Take an intimate look at private lives affected by corporate callousness.

Colonial Players has kept audiences engaged in a season that has swung from the ridiculous to reality: from a time machine to Death Row, and now from a tabloid fantasy to the Industrial Revolution. In Melanie Marnich’s These Shining Lives, a fictional treatment of a factual tragedy, we meet four victims of radium poisoning whose plight spawned a landmark Supreme Court decision on corporate responsibility and workers’ safety. Despite the legalistic dénouement, this story is less Erin Brokovich than an intimate look at the private lives affected by corporate callousness.

Compass Rose is the first theater to produce this edgy drama

“Why try something new when we already know what we like?” asks the conservative character in Compass Rose’s current production, Another Day On Willow Street.     “Because,” says founding artistic director Lucinda Merry-Browne, “the future of theater depends on new works.”

Dignity Players exits stage left field, imagination amok

For nine years, Dignity Players has mounted quality productions on the themes of social justice and equality — morality plays that inspire with occasional forays into seriocomedy — brilliant, thought-provoking stuff. And now, as Monty Python would say, for something completely different: a hilarious send-up of John Buchan’s classic thriller The 39 Steps, which became a 1935 Alfred Hitchcock hit.

That was pretty cool!

Rock musical and Andrew Jackson make a logical theatrical fit when you think about it: arrows cutting people down in mid-sentence; the scandal of marrying a married woman; a “people’s president” who strengthens the power of his office — yet sparks the creation of the Democratic party while crafting his image to get what he wants. There’s a lot of stage-worthy material to be mined from the life of our seventh president, and Bloody Bloody Andrew Jackson reaches deep.

This romanticized Frankenstein story is a shocking musical with a rocking score.

The story of a Bat Boy living in a West Virginia cave — illustrated with a photoshopped baby picture —  amazed America in 1992 when published by Weekly World News, which bills itself as The World’s Only Reliable News. Playwrights Keythe Farley and Brian Flemming shared the popular fascination, and a gothic science fiction began stewing in their minds.

Can two old geezers find a future past resentment?

For Neil Simon’s The Sunshine Boys, Twin Beach Players reunites the biggest comedy team in Vaudeville for a nostalgic performance of their once-famous Doctor sketch.     Willie Clark (Jeff Larsen) and Al Lewis (Tom Wines) were the act to catch for 43 years. But 11 years ago, Al walked out, leaving Willie to hold the bag of gags.