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Theatre Reviews

Captivating, with fine singing, ­excellent choreography, ballet-­quality dancing and a pianist who never misses a beat

With Brigadoon, Compass Rose Theatre brings a fantastical Scottish paradise to life in the highlands of Annapolis. It’s right here amongst the braes. I don’t know what a brae is, but I can tell you this:

Scientific suppositions clash with religious superstitions at the United States Naval Academy

Bertolt Brecht’s key question in his play Galileo — whether society can stand on doubt and not on faith — refers to the astronomer’s trial by the Inquisition for his heretical theory of heliocentricity. The question had parallel relevance on Galileo’s opening night at the Naval Academy, just hours after terrorist attacks in Paris.

The Forest of Arden magically becomes Cumberland Gap in the 1930s with country music and dancing

The Annapolis Shakespeare Company bills As You Like It as a bluegrass take on the Bard, offering a neighborly snoot to audiences that perhaps see Shakespeare as too snooty. Less bluegrass than traditional Americana, though, it features costumes straight from The Waltons, lively contra dances and such familiar old-timey tunes as I’ll Fly Away and Down in the River to Pray. There are Shakespearean lyrics set to melodies. You’ll recognize The Bonnie Banks of Loch Lomond, and a touch of Stephen Foster (Hard Times).

If you don’t love this show, I will personally refund your money

What do you expect from an iconic musical winner of five Tonys, a Grammy and an Oscar? A show so revered it cemented the careers of Shirley Jones and Robert Preston, and launched little Ron Howard to stardom?     At 2nd Star Productions, expect the perfect delight of screen and vinyl.

Twin Beach Players stages to scare

Twin Beach Players is making a habit of scary world premieres. This Halloween, it’s H.G. Wells’ unsettling science fiction novel, The Island of Dr. Moreau, adapted by playwright-in-residence Mark Scharf. Last year Scharf adapted The Legend of Sleepy Hollow to Twin Beach Players’ time and place; in 2013, he gave us Frankenstein.

Moving rifts on the decline of jazz and a family

“Jazz is life.” So says Jim Reiter, director of Colonial Players’ Side Man, billed as an elegy for a lost love and a lost world. Both jazz and life, he explains, are propulsive, rhythmic and sometimes distorted improvisations where we all riff on the expectations set before us.

As You Like It plays simultaneously

In tribute to the master of macabre, Annapolis Shakespeare Company kicked off its 2015-2016 season on Edgar Allan Poe’s death day with the world premiere of Gregory Thomas Martin’s play in his honor. Descending the back steps to the 1747 cellar pub in historic Reynolds Tavern in Annapolis, you feel as though you indeed have entered a bygone era. The room you are shortly ushered to is small and dimly lit.

If it’s entertainment you’re after, seeing this one is elementary

Fancy a spot of mystery to sharpen the old mind after summer’s idyll? Then you must check out Sherlock’s Last Case by Charles Marowitz, showing at Colonial Players through September 26. While I am forbidden by Colonial and Scotland Yard to divulge the particulars of this brilliant whodunit, trust me when I say Annapolis’ grand dame of amateur theater has produced another winner with this escapist spoof, rich in one-liners and plot twists.

Your inner child will want to see it again and again — even without Cousin Itt

“America has loved the Addams Family for 80 years, and now we have a rerun marathon of your favorite creepy and kooky characters in the flesh and blood. They’re all back (minus Cousin Itt) in a surprisingly sanguine musical that celebrates family values through the generations. Annapolis Summer Garden Theatre’s production will keep you smiling from the moment Thing cues the overture until the inspirational finale, Move Toward the Darkness.

Billed as a smart and energetic musical comedy with a pop rock score and immensely likable story, this show delivers

With Baby, Infinity Theatre Company surpasses the high expectations raised over five years of bringing professional New York City productions to Annapolis each summer. This show delivers on its billing as a smart and energetic musical comedy with a pop rock score and immensely likable story. If you last saw it in the 20th century, you’re in for some surprises. The 1984 Tony-nominee was reworked in 1999 with new songs and significant plot twists that make it less idealistic than the original.