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Theatre Reviews

Our best family night at the theater — ever

Anight at the theater — or anywhere, for that matter — is always an adventure when you have children in tow. A few weeks ago, our family of four attended a musical production in Baltimore that left me wondering if I had made a big mistake thinking my sons would enjoy the theater.     Dad slept through the whole thing, the younger said there was too much singing, and the elder commented all the way through, despite my insistent hushing.

Midshipmen take on Shakespeare on youth, war and relations between the sexes

Megan Geigner, the new director of the U.S. Naval Academy’s midshipman theater group The Masqueraders, grabbed the helm with deft touch and a focused vision, staging a delightfully energetic version of Shakespeare’s popular comedy, Much Ado About Nothing. She chose the play because it’s about young people, more specifically young people coming home from war, and about gender relations.

Like a horrific accident, it makes you cringe even as you brake to see it better

When outrage-stage author Edward Albee passed away in September, the theater world mourned with a collective gasp, as if his death from old age were just another violent trick designed to snap us out of complacency. The triple Pulitzer prize-winner aimed to make audiences so uncomfortable they would “run out of the theater — but come back to see the play again.” He succeeded most notably with his first full-length production, Who’s Afraid of Virginia Woolf. The Pulitzer committee chose to grant no prize in 1963 rather than award it to Albee.

Shakespeare makes a thrilling return to the Dark Ages

This month Annapolitans celebrate Shakespeare’s 400th anniversary with not only his First Folio on display at St. John’s College’s Mitchell Gallery but also a fine production of Hamlet at the Compass Rose Studio Theater.

This comic opera sparkles like sunshine on the sea with all the charm that made it a hit more than a century ago

You may have never heard of Arthur Sullivan and W.S. Gilbert, but you’ve certainly heard of Gilbert and Sullivan. The two had a run of comic opera hits in England whose popularity propelled them across the pond to America, where that popularity was magnified. Because Gilbert’s father was a naval surgeon, life on the seas and the politics of power were often themes of the librettist. That’s certainly the case with H.M.S. Pinafore, the light yet acerbic jab at patrician politics and love that 2nd Star Productions in Bowie has brought to seafaring life.

Twin Beach Players’ talented ensemble delivers a Vaudevillian ­circus of musical theater

“Musical comedies aren’t written, they are rewritten,” declares Stephen Sondheim, who wrote the music and lyrics to A Funny Thing Happened on the Way to the Forum.     Just so, writers Burt Shevelove and Larry Gelbart of movie and television fame readapted a collection of Greek-themed works already adapted by the Roman playwright Plautus around the turn of the second century, B.C.

Comedy, tragedy and undercurrents of love … just like every family

“You have to soar to fill your soul, but your family is what keeps you grounded,” writes first-time director Dave Carter in the playbill for The Cripple of Inishmaan. That’s the point of Colonial Players’ season opener, a well-crafted comic piece that dips into the reality of sadness and cruelty without turning maudlin.

Mel Brooks’ mocking masterpiece

To end its 50th season, Annapolis Summer Garden Theater has challenged itself with one of the biggest and most popular musicals ever to hit Broadway: Mel Brooks’ The Producers. Winner of a record 12 Tony Awards in 2001 and running for more than 2,500 performances, the show sought to hilariously offend everyone — Jews, producers, actors, homosexuals, Nazis … the list goes on. Brooks’ blockbuster set the stage for the kind of hard-to-get ticket that is being matched only by the current hit, Hamilton.

Find out as six young playwrights speak out in Twin Beach Players’ 11th Annual Playwright Festival

Twin Beach Players has unusual success in getting kids to say what’s on their minds. Over 11 years, youngsters from elementary to high school have taken to the Kids Playwright Festival stage, writing plays that describe the world as they know it.     The Player and the Festival are “safe spaces for kids of all backgrounds to express themselves,” says company president Sid Curl. “Kids feel they can be themselves and have fun doing it.”

These talented kids will get your laughs

Annie Get Your Gun is a classic musical based on real people in the days of America’s western expansion. Buffalo Bill’s traveling performance entertained people from all walks of life with the best shot around, Frank Butler. That is, the best shot around other than Annie Oakley.     The story of the girl who could shoot better is brought to life by Talent Machine, a local theater company that has been getting kids on stage since 1987.