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Theatre Reviews

Bold choices — for these homesteaders and Bowie Community Theatre

Since the mid-1960s, Bowie Community Theatre’s bread and butter has been mysteries, comedies and classics. Still, it has never shied away from taking on lesser-known material with depth and message. It has found such a gem in Pearl Cleage’s 1995 production Flyin’ West. This is a beautifully written piece that brings to life the oft-ignored story of how former slaves in 1898 moved west — Kansas, in this case — toward a life of self-dependence.

Intimate setting, top-notch acting, taut direction and high production values bring this classic to life

For this classic, less is more.      The Annapolis Shakespeare Company’s production of Jane Austen’s first novel, Sense and Sensibility, uses a script nicely streamlined and adapted to the stage by Jon Jory, whose versions of other classics like Pride and Prejudice the company has presented over its brief history. As impressive as the script’s fidelity to the novel is Annapolis Shakespeare’s confidence in its ability to tell a complex story with nary a set piece other than a few chairs and a trunk.

65 Years of Broadway! deserves its !

Long synonymous with musical theater excellence, 2nd Star Productions had a brilliant 2013-14 season with Children of Eden nominated for a WATCH Award as Outstanding Musical and Hello Dolly winning a Helen Hayes Award for All-Around Production Excellence.     Now the company is celebrating with a star-studded musical revue.

Listen up to tease plot from prattle

Colonial Players bills the World War II drama Watch On the Rhine as the first in their American Standard series, “presented for the nostalgia of older audiences or introduction to younger patrons.” As winner of the New York Drama Critics’ Circle Award for Best Play in 1941, this play would seem a good choice. It has star appeal: The hit film featured Bette Davis and Paul Lukas, who won an Oscar for Best Actor. It is historically compelling: A call to arms for a pre-war America grown complacent in the face of global discord.

You’ll get feeling as well as fun in this play on why actors do what they do

The quality that 2nd Star Productions brings to its big musical productions is exemplified not only by sold out houses but also by recognition among its peers. 2nd Star last month received 21 nominations from the Washington Area Theater Community Honors, a local collaborative of amateur theaters that judge each other’s shows and present awards in March. Only one of those nominations is for a non-musical, A Soldier’s Story. The majority were for the highly acclaimed Hello Dolly and Children of Eden.

A farce to be reckoned with

The Liar adapted by David Ives is a farce guaranteed to brighten lives. Iambic pentameter is the way This hilarity comes to modern day. Written long ago by Pierre Corneille Steve Tobin directs this quite funny play. There’s a fine cast of players, they all shine. And costumes and sets that all bring to mind 1600s’ France, where our play we find. Fred Fletcher-Jackson’s the liar of note The guy whose adventures are merely gloat.

Feel the tension of holding fate in your hands

Twelve Angry Men was first produced in the mid-1950s as a play for television, then reworked for the stage and, of course, the famed movie with an all-star cast led by Henry Fonda. Having sat through the trial of an inner-city young man accused of murder, the all-male jury must come up with a unanimous decision of guilty or not guilty. On first vote, it’s 11-1 in favor of guilty.

This community collaboration ­delivers a sleigh full of holiday cheer

What do you get when you introduce a variety of memorable Christmas characters and nursery rhyme originals to a romantic hero and two scheming evildoers plus their naughty toy followers?     A recipe for holiday cheer, Babes in Toyland, adapted for the stage by Twin Beach Players’ president Sid Curl, with additional dialogue by Matthew Konerth and Valerie Heckart.

A beautifully staged and wonderfully acted ­communications breakdown

Written in 1980 by Brian Friel and set in a fictional village in agricultural Ireland in the early 1800s, Translations deals with the imperialism of encroaching England, the tradition of language and the refusal to compromise that tradition for communication’s sake. The Masqueraders’ production is beautifully staged and wonderfully acted, which makes a questionable artistic choice all the more unfortunate.

Can you stretch your comfort zone into 18th century debauchery?

Give The Theatre at Anne Arundel Community College credit for refusing to play it safe, for going out on a theatrical limb in its choice of productions.     Last spring’s Bloody Bloody Andrew Jackson, as complex and raucous as any musical you’ll see, was a case in point. The current Les Liaisons Dangereuses is another example of the theater’s propensity for asking itself, and its audiences, to stretch beyond their comfort zones.