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Articles by Jane C. Elkin

After two Irene cancellations, expect pent-up energy to enhance fine acting, staging and special effects in the last seven shows of this comedy about mis-communication

The lines of communication were abuzz all last week as first an earthquake and then a hurricane shook up our complacency. Natural phenomena often herald unwelcome change, and so it is in 2nd Star’s latest comedy about language, Larry Shue’s The Foreigner, which opens as a thunderstorm, ushers two Brits into backwoods Georgia, home of Southern hospitality and small-minded xenophobes.     This award-winning show played to critical acclaim at the Bay Theatre last winter...

My dad waited too long to learn to fly. I’m correcting his mistake.

A mile above the beach, I soar higher than the gulls, crisp air bathing my outstretched arms, bare feet dangling in the void. The faint whoosh in my ears could be my unfettered thoughts, some vacant, some frantic as bees.     I’ve always been enchanted by the dream of flight, the Icarus myth. This is my dream come true, my ultralight flying experience, my life’s greatest rush and the reason for my current obsession: flying lessons. High-Performance Slowness  ...

Beneath the fun and fluff is the true history of Baltimore kids caught at the color line

A good hairspray delivers lasting style that looks sleek and natural, and at Annapolis Summer Garden Theatre’s final musical of the season that’s just what you get.     This story may seem like pure fluff with its comical dance steps and exaggerated hairdos. But it’s based on historical events surrounding a real TV show, Baltimore’s popular teen-dance showcase The Buddy Dean Show, transformed for this script into The Corny Collins Show. It’s a place...

No doubt it would be a sin to miss it

Dignity Players has a fine reputation for staging plays of social significance, and Doubt is no exception — except in its quality. It’s so much more than good that it’s pretty near perfect. John Patrick Shanley’s 2005 Pulitzer and Tony award-winning play is riveting enough already for its honest and clever treatment of the clergy pedophilia scandal, but with performances rivaling those of some of Hollywood’s biggest stars — Meryl Streep, Philip Seymour...

Musical comedy doesn’t get any better than this toothy horror story.

Broadway’s most profitable show ever, Howard Ashman and Alan Menken’s sci-fi musical Little Shop of Horrors, is now playing at Infinity Theatre Company, a professional troupe from New York that is the area’s newest addition to the summer arts scene. If you missed their Annapolis debut with My Way last month, you’ll definitely want to take in this last show of their season. The host venue, The Children’s Theatre of Annapolis, may seem out of the way, but I promise...

If’n you like watchin’ young’uns have a good time, you’re gonna like Li’l Abner.

In 24 years of showcasing Annapolis’ youth, The Talent Machine has groomed countless stars of community and professional theater, who continue to prove allegiance by fostering the company’s newest talents.     Enter 45 performers, aged eight to 14, in a troupe revival of Li’l Abner, the hillbilly musical based on Al Capp’s classic comic strip. These kids are right good at ferretin’ out all the campy humor in the colorful soap opera of life in...

Kids are totally invested in the story, and the script is so packed with hyperbole that it transcends caricatures to entertain the adults as well

Will Bartlett’s one-hour musical adaptation of Rumplestiltskin has run continuously off-Broadway since 1985 with good reason. It does a nice job of distilling a long and complex children’s classic with a warped message into an entertaining and concise plot with a healthy moral. And this summer, lucky little Naptowners need travel only as far as West Street to see it.     The traditional Rumplestiltskin tale is creepy. Because of her father’s drunken boasting, a...

2nd Star Productions’ Cinderella Enchanted

2nd Star Production’s Cinderella is keeping up the tradition. Rodgers and Hammerstein’s musical adaptation of the fairy tale has been delighting audiences of all ages for over 50 years. This Cinderella, playing for the next four weekends at the Bowie Playhouse, is so enrapturing that I found myself scribbling hearts instead of stars to mark the highlights. Brilliant attention to detail, particularly in Act I, distinguishes a classic that, in less capable hands, might run on...

Packed with thrilling moments from our nation’s musical traditions.

Dignity Players’ Songs for a New World is an auditory rush. From the first haunting strains of The New World — sent washing by Wendy Baird over the audience from the back of the auditorium — to the company’s stunning final chord in Hear My Song, Jason Robert Brown’s pop-rock revue of the American psyche is packed with thrilling musical moments colored by our nation’s gospel, blues, jazz and classical traditions.     Each song has a distinct...

Bay Theatre Company’s one-man show will put you in Hound Heaven

Had it with political wrangling? Fed up with wasteful government spending? Yearning for a simpler, more primal existence? Then you’re set to enjoy The Bay Theatre Company production of Lee Blessing’s Chesapeake.     Matthew Vaky — the versatile, voluble star of this one-man tour de force —he portrays 10 characters in the mammalian circus. Chief among them are Kerr (a bisexual performance artist),  Sen. Therm Pooley (R-VA) and Pooley’s dog Lucky...