Ernest & Celestine
A mouse and a bear prove families come in all sizes
Do you fear the big bad bear?
Since babyhood, mouse Celestine (Mackenzie Foy: The Conjuring) has been warned by her elderly guardian (90-year-old Lauren Bacall: The Forger) to avoid bears. Mouse society lives in intricate cities in the sewers, just below a bear metropolis. Mice venture topside only at night, sending their young ones to search bear dwellings for useful items.
One of the procurers, Celestine is too curious to accept the tales of evil bears on faith. She’s enamored with the large bears and interested in their world. She dreams of meeting a bear, maybe making a friend.
Celestine gets her wish when happenstance traps the little mouse like a rat in a trash can. Her savior is Ernest (Forest Whitaker: The Butler), a down-on-his-luck bear in search of a quick meal. At first, he proves the Big Bad Bear stories true, trying to snap up Celestine in his massive jaws.
But Celestine isn’t as easy to eat as Ernest hopes. She offers her ursine attacker a deal: She’ll help him find delicious treats if he stops trying to digest her. Celestine shows Ernest how to break into a candy store, where he feasts on marshmallows, honey and taffy.
Soon, Ernest and Celestine team up for another heist, this one on her behalf. As the interspecies Bonnie and Clyde become a wanted duo in both their worlds, Ernest retreats to his hibernation cabin until the heat dies down. Alone in the world, Celestine decides that a gruff and grumbly bear is better company than the police.
At first, neither is happy with this living arrangement, but the odd couple eventually forms a family dynamic. Celestine brings out nurturing and selfless qualities in Ernest. In turn, Ernest admires Celestine’s artistic ability and encourages her to paint.
But will an interspecies police force ruin their happy home?
Based on the popular Belgian children’s books, Ernest and Celestine is a delightful animated film about avoiding society’s labels and finding a family that fits you. Filled with visual gags and sly humor, it’s a film to charm all ages.
The movie takes a painterly approach to animation, eschewing slick 3D graphics for a watercolor palate. The animation, which is often minimalist, lets you focus on the characters and makes the movie seem like a literary illustration sprung from the page.
Originally released in Europe with French dialog, this version is by directors Stéphane Aubier, Vincent Patar and Benjamin Renner, who carefully cast American actors to dub the story. Whitaker’s low growling voice makes him an inspired choice for Ernest. Film fans will also appreciate the voice of the 90-year-old Bacall, who is commanding and funny as a slightly deranged mouse matriarch.
You’ll have to go Baltimore or D.C. to catch this one, but it’s worth the trip. C’est Merveilleux!