Articles by All

Winter’s constellations are on the way out, while spring’s are here to stay

As the sun sets Thursday evening the waxing crescent moon appears high in the south, its lower tip pointing to the star Aldebaran a few degrees away. Aldebaran is a red-giant that marks the eye of Taurus the bull. Just to the left of the moon is the Hyades cluster, a V-shaped pattern of stars that make up the face of the bull. Higher above the moon is the Pleiades cluster, marking the bull’s shoulder. Named after the seven daughters of Atlas, six of the mythological sisters are visible to the naked eye. How many can you spot?
    Saturday the moon shines near Jupiter, the next-brightest object in the night sky. The Gemini twins Castor and Pollux are above Jupiter, while below the moon is the bright orange star Betelgeuse, the shoulder of Orion. The next night the waxing moon is just a few degrees below Jupiter, well within the field of view of binoculars. Surrounding the moon and Jupiter are the bright stars of the Great Winter Circle (which looks more like a hexagon): Aldebaran, Rigel, Sirius, Procyon, Pollux, Castor and Capella. Within the circle is Orion’s bright-red star Betlegeuse. This is the last month to catch these winter luminaries as they shift to the west and out of sight.
    While Jupiter fades with the stars of winter, Mars is at its prime amid the stars of spring. The red planet appears low in the east at sunset with the blue-white star Spica five or six degrees to its lower right. Mars reaches opposition on the 8th, at which point it rises as the sun sets and does not set until sunrise the next morning. This is its best apparition all year, and only Jupiter and Venus shine brighter.
    Saturn rises in the southeast around 10:30pm, is at its highest in the south around 3am and is low against the southwest horizon at daybreak. The planet is tilted in such a way that its rings are on full display with even a small telescope. The ringed planet is in the middle of Libra and forms a tight triangle with the constellation’s two brightest stars. To the west of Saturn and marking the balance’s fulcrum is Zubenelgenubi, while above the planet and marking the upper scale is Zubeneschamali, which has the distinction of being the only star that glows with a green hue. Not everyone can distinguish the color; can you? Zubenelgenubi is Arabic for the southern claw, while Zubeneschamali translates to the northern claw, namesakes from when these stars were part of the constellation Scorpius.
    The last of the planets visible this week rises before dawn. There is no mistaking Venus above the southeast horizon shining at magnitude –4.5, exponentially brighter than even the brightest star. Venus doesn’t climb very high, but it will hold this position in the early morning through spring and summer.

No competition for the Greatest Story Ever Told

After Cain murdered Abel, humanity fell into two factions: the sons of Cain and the sons of Seth. Marked by his misdeeds, Cain’s descendants are greedy and base. They’ve traded their faith in the creator for a life of sin. Lead by the ruthless Tubal-cain (Ray Winstone: Lords of London), the people of Cain have built industrial cities and violated Earth.
    Seth’s descendants have taken a nobler path, living off the land, taking only what they need and upholding the rules of God. Their path is righteous, but it’s not very successful. Tubal-cain and his men have killed the sons of Seth, ensuring that goodness dies with them.
    Or so the evil king thought. Surviving is one last heir, Noah (Russell Crowe: Winter’s Tale), who has lived in hiding after witnessing the murder of his father. Over the years, Noah has built up a family and lived as the creator dictated. His fealty is rewarded with a vision: God will send a great flood to the world, killing all impure life. Noah’s job is to build a vessel and save innocent life from destruction.
    Over 10 years, Noah and his family construct an ark as animals arrive two by two. But the grand migration of fowls and beasts attracts the attention of Tubal-cain, who is on the lookout for land that isn’t ash. On finding the ark, Tubal-cain organizes an army to take it before the water rises.
    Part environmental parable, part Bible story and part bizarre fantasy epic, Noah is a confused, beautiful mess. Don’t expect the Sunday school story that you remember. Director Darren Aronofsky (Black Swan) gives us stunning visuals and a mixed up story. He has more good ideas than time — or ability — to explore them. The environmental story he begins is forgotten halfway in for CGI technology. Thus Aronofsky falls under the spell of The Watchers, angels who fell to Earth and were punished by having their angelic form covered with rock and molten mud. Neither impressive to look at nor interesting as characters, The Watchers are silly creatures of the type you might enjoy in Lord of the Rings or Harry Potter.
    When Noah pauses from spectacle, it offers some great acting. Crowe — who’s had a questionable run of late — is amazing as a devoted prophet. He imbues Noah with an intensity that teeters on the edge of insanity. As his foil, Winstone’s Tubal-cain believes he is as powerful as God, able to give or take life as he sees fit.
    If you’re interested in a few scenes of interesting Biblical debate or in considering how far computer-rendering technology has come, Noah is worth the price of admission. If you’re looking for deeper meaning, skip a film that wades in shallow waters.

Fair Fantasy • PG-13 • 138 mins.

Can two old geezers find a future past resentment?

For Neil Simon’s The Sunshine Boys, Twin Beach Players reunites the biggest comedy team in Vaudeville for a nostalgic performance of their once-famous Doctor sketch.
    Willie Clark (Jeff Larsen) and Al Lewis (Tom Wines) were the act to catch for 43 years. But 11 years ago, Al walked out, leaving Willie to hold the bag of gags.
    Now, in their golden years, CBS asks them to reunite in a show that pays reverence to the great comic stars through the years. It’s a second chance in a lifetime, but resentment — and tension — get in the way. Clark’s nephew and agent (Tom Weaver) has to figure out a way to get the two geezers to bury the hatchet and pull off the television show.
    Mayhem ensues when Clark ­nearly dies trying. His heart attack keeps the double-trouble duo out of the television show.
    Fate has another plan for them: living together in relative peace and performing their acts in a retired actors’ home.
    Opening night brought not only the old boys but also new comfort to the theater’s small venue at North Beach Boys and Girls Club. Thanks to Twin Beach master carpenter Justyn Christofel, the audience looks down on the action from moveable-bleachers.
    But play-goers didn’t fill the bleachers or help keep the Sunshine Boys’ uptempo.
    Highlights — like the Doctor sketch rehearsal for a CBS television show and the scene where the boys threaten each other with dagger and cane — bring comic relief to a play slow to take off in Act 1. Act 2 regains momentum as the old boys regain their old timing.

Aidan Davis as Eddie; Staci Most as Vaudeville Nurse; Samantha Wadsworth as Nurse. Director and production designer: Sid Curl. Assistant director and stage manager: Donna Bennett. Costume designer: Dawn Denison. Music designer: Bob Snider. Setting and make-up designer: Wendy Cranford. Lighting tech assistant: Katherine Willham. Lighting and sound board operator: Camden Raines. Audience design: Richard Keefe Jr. Promotions and advertising: Viv Petersen and Philomena Gorenflo. House management: Lynda Collins and Viv Petersen.
Playing FSa 8pm; Su 3pm thru April 13 at North Beach Boys and Girls Club, North Beach. $12 w/discounts: 410-286-1890; www.twinbeachplayers.com.

See it, and Shakespeare lives

Shakespeare’s plays are still being performed 400 years after they were created because they were brilliantly written but also because their themes are timeless.
    Not every theater company that takes on Shakespeare can live up to the Bard’s talent and intent, moving beyond the page to vitalize his characters, prose and situations. But when Shakespeare is done well, his stories jump off the page and into our consciousness, demanding our attention and forcing us not just to understand but also to feel what his characters are feeling, and why.
    So it is with Annapolis Shakespeare Company’s Hamlet. Beautifully realized, stylistically and brilliantly transposed into the current day, this Hamlet is a tour de force, a masterwork for the company. Director and set and sound designer Sally Boyett, the company’s producing artistic director, has earned a reputation for her economical yet transformative use of the Bowie Playhouse stage. This production furthers that reputation. From the huge gilded frames that hang from a dark sky to the sacrifice of a few house seats in favor of a platform that thrusts the actors almost halfway into the audience, this is an impressively aesthetic production.
    Boyett’s haunting and ethereal sound and Paul Collins’ often eerie lighting accompany our journey through Hamlet’s madness and his thirst for revenge. Maggie Cason’s costumes, mostly muted grays but with a touch of blood-red seemingly everywhere, remind us that madness, revenge and betrayal are not only to be found in Shakespeare’s time.
    Of course, none of this matters if the acting and direction do not achieve the same standards, and here both are surpassing. Every one of our community theater actors and directors would benefit from attending at least one of Annapolis Shakespeare’s productions, especially this one, because the dedication and commitment to character, to dialect, to pacing and to clarity are unsurpassed.
    Manu Kumasi’s Hamlet is stellar, the fire and humor coming not just from the staccato delivery of his lines but blasting from his every pore. His physicality seems to envelop the theater, especially when he ascends to the end of that aforementioned platform and with sheer passion imposes his world onto ours, his fiery eyes just feet away from ours, boring directly into us and gripping us with his madness.
    Likewise, Audrey Bertaux brings us an Ophelia whose own tragic fall into madness could have been over the top in less capable hands. Instead, we are drawn into the character’s decline and feel pity for the way Hamlet projects his anger toward his mother onto her.
    Nafeesa Monroe as Gertrude and Paul Edward Hope as Claudius lead the rest of the company, several of whom very effectively play multiple roles. From Rosencrantz and Guildenstern to Horatio to Polonius and all the rest you read about in school, this is Shakespeare at his best, flying off the pages and brought to life in a production whose superlative whole is far greater than the sum of its very excellent parts.

Producer: Kristen Clippard. Stage manager: Monica Jones. Dialect coach: Nancy Krebs.
Playing thru April 13. Th 7pm, F 8pm, Sa 2pm & 8pm, Su 3pm at the Bowie Playhouse, White Marsh Park Park. $24/$20: 410-415-3513; www.annapolisshakespeare.org.

Trophy-size fish arriving daily

Very large migratory stripers are arriving in the mid-Bay, setting the scene for the opening of Trophy Rockfish Season in just two weeks. Big-fish anglers — sports who are willing to spend 10 frigid hours or more at a stretch jigging for a single photo op with just one enormous cow — are posting pics of multiple big fish caught and released from The Rips at the Calvert Cliffs nuclear power plant up to the warm water discharge at the mouth of the Patapsco.
    Despite grim news last year from the Atlantic States Marine Fisheries Commission of a 25 percent decline in overall striped bass stocks, the Chesapeake, especially the mid-Bay, experienced a striper-fishing bonanza last season. Devoted fishers are hoping for a repeat this year.
    Scuttlebutt overheard from commercial netters over the winter indicates an unusually big population of larger-than-average fish holding on wintering grounds in the mid-Bay. We are all hoping these fish will remain with us, especially at the beginning of the season.
    Two weeks from now, we’ll get on the water officially and settle all the conjecture. Finally, the cold we’ve complained about the last two months will be working in our favor. There’s a better than good chance that the low temps have delayed this season’s spawn, which will in turn keep more big fish in the area longer.
    Early on, big trolling lures such as parachutes with nine- to 12-inch soft shad in the traditional colors of white, yellow and chartreuse, will compete with the more trendy hues like John Deere green, sparkle purple and jet black. Whatever the color, the big rigs should be dragged to tempt the giants.
    Umbrellas, chandeliers and other multiple-lure setups that create lots of water noise and disturbance to attract big fish remain popular — and work well. Big fish? Big bait. The old mantra is as true today as ever.
    The best areas to troll this time of year are the deep-water channels that the migrating stripers tend to use (the tides are stronger) to come up the Bay (usually on the eastern side) and to leave (usually on the western side). Of course, choosing which side to fish is not so simple when you also have to take into account wind direction, forage fish location, time of year, time of day and boat traffic. The only rules that don’t change are to fish the warmer top 15 feet of the water column (unless there’s heavy boat traffic, then fish deep) and always plot a zigzag course to cover more water.
    Chumming with bait fishing was once uncommon during the trophy season but is gaining adherents every year. One reason is that it lets anglers tangle with really big fish using lighter tackle. Another reason is it has been surprisingly effective
    Most boat anglers fish the channel edges and set their baits (fresh menhaden is best) on the bottom. Others will fish some of their baits shallow, under floats, or at intermediate depths with little weight. There is a strong belief that stripers found up off of the bottom in springtime are traveling and not eating. But you can never tell.
    Quite a fishery has also evolved over the last few years off of the beaches of Sandy Point and the pier at Matapeake State Park, where anglers using bloodworms and fishing long surf rods to get their baits out away from the shoreline have been scoring great catches (for release) from mid-March through mid-April, especially before dawn and after dark. The opening of trophy season means they’ll finally be able to keep one fish if it’s over 28 inches.
    The most important aspect of both chumming and bait fishing from shore is using circle hooks. The odds of catching a throwback (under 28 inches) are very great this time of year. Half of all released deep-hooked fish of any size die within two hours, an extensive DNR study has found. Every angler should use circle hooks to keep from gut-hooking these fish.

Expert advice at no charge — and expert help to restore your home and garden

If your home and garden look like mine, we both need help.
    Winter 2013-’14 has kept us on the defensive, fending off its blows. There’ve been drafts to keep out, fires to keep burning, limbs to duck, snow to shovel, salt to spread, ice to scrape, birds to feed, falls to heal, floods to staunch, floors to mop … and that’s just my list. I bet you can add a lot more.
    Keeping winter from knocking you down takes just about everything you’ve got. Progress is just keeping up.
    Then, when the glacier recedes, you see the mess it’s left behind. Paint scraped, trees gnarled, shrubs mangled, mud amuck, tire tracks embedded, pansies flattened, only the occasional crocus to color the scene winter’s made. Raking and renewing becomes a primal drive. Plans bloom like the coming spring. This, I tell myself, is the year of my ideal garden. No more false starts and wrong turns. This year I’m going to get it together. Call in the landscaper. Bring on the housepainter. Seek out the power washer. Who knows a tree trimmer?
    And that’s just outside.
    Inside, home has the damp, dim feel of a cave. It’s time to air and scrub, paint the walls that look so dingy in the light of spring and hang fresh curtains, store the furnishings of winter away and change the season, carry out the lawn furniture, fire up the grill and hope for warm days.
    Can you fit it all in your evenings and weekends?
    As you reclaim your home and garden from winter’s ravages, there are people who can help you.
    When you want help getting a job done, these Bay Weekly advertisers are the people I hope you’ll turn to.
    I say so for good reasons.
    First, they’re the people who bring you Bay Weekly. Without the support of their advertising, there would be no paper in your hands. Your business is the thanks we can give them together.
    The second good reason: They get the job done. They’ve been tried, tested and approved by many of us on the Bay Weekly staff.
    The third good reason: They’ve got answers, you and I have questions — and Bay Weekly knows the way to bring the two together. If you garden or even grow houseplants, you already know that Dr. Frank Gouin, the Bay Gardener, will answer any question you ask him. Expert advice at no charge is the third good reason to read on and make the acquaintance of the home and garden helpers featured in these pages.
    The deal is so good that I’ll say it again, repeating my introduction to Bay Weekly’s Home and Garden Service Directory, the special 16 pages inside this week’s paper:
    Through Bay Weekly, you can turn to these experts for answers to your questions.
    Whatever you want to know, ask. I’ll pass your questions along to the right expert for answers. Then I’ll send the advice to you. Finally, I’ll share it with all our readers in our next Home and Garden Guide.
    We’re waiting to hear from you: editor@bayweekly.com.

Sandra Olivetti Martin
Editor and publisher; editor@bayweekly.com

A delightfully demented tale of murder, theft and the service industry

As the concierge of The Grand Budapest Hotel, M. Gustave (Ralph Fiennes: The Invisible Woman) believes in offering his guests the best service. In the case of wealthy older women, Gustave’s services include wine, candlelight dinners and himself. The women get a boost in confidence; Gustave gets cash and returning customers.
    Among the hotel staff, Gustave is a legend. Suave, mysterious and unflappable, he runs the hotel with an uncompromising commitment to its patrons. He recites romantic poetry at staff dinners, insists on high standards of conduct for his subordinates, bathes in his favorite cologne and is involved in even the minute details of daily life at the Grand Budapest. This dashing figure enchants Zero (Tony Revolori: Shameless), the hotel’s newest lobby boy. Never one to turn down a fawning admirer, Gustave takes Zero under his wing.
    When one of Gustave’s regular paramours, octogenarian Duchess, drops dead, Gustave and Zero travel to the funeral to pay respects. Hoping for a few thousand dollars from the will, Gustave instead is awarded a priceless painting. Her family is not pleased.
    Police are called, accusations are thrown and the Duchess is eventually discovered to have been poisoned. Son Dmitri (Adrien Brody: Third Person) frames Gustave and sends his henchman (Willem Dafoe: Out of the Furnace) for the painting.
    The Grand Budapest Hotel is a madcap comedy fusing dark violent themes with light quirky sensibilities. In director Wes Anderson’s (Moonrise Kingdom) quirky aesthetic, characters are notoriously nonplussed by the whirlwind of crazy events around them. A severed head is usually a gruesome sight. Put that head in a wicker picnic basket with a ribbon and some festive tissue paper, as Anderson does, and it becomes a macabre joke. Anderson’s sensibility isn’t for everyone, but his world of stylish lunacy is a refreshing change from typical fare.
    As the center of the film’s twisting narrative, Fiennes is a wonder to behold. Dapper even in prison rags and suave to a fault, he’s the Cary Grant of concierges. His manic energy is fascinating as he wrings every bit of charm out of a role that makes him a lecherous jerk.
    Supporting Fiennes is Anderson’s typical cast of character actors, including Bill Murray, Edward Norton, Jason Schwartzman and Adrian Brody. In small parts, each contributes to the controlled chaos. The standout is Dafoe, who manages to be utterly terrifying and hilarious as he murders his way through the movie.
    Funny, slightly gruesome but always entertaining, The Grand Budapest Hotel is a decadent treat.

Great Dramedy • R • 100 mins.

Shop New American Beagle ­Outfitters

Do you look like your dog?    
    Do you want to?
    French bulldogs, hairless Chinese cresteds, pugs and chugs may give their human companions second thoughts on cultivating the legendary cross-species resemblance.
    Dressing like your dog, and vice versa, may be a better option. That’s the apparent thinking behind American Beagle, the dress-alike campaign debuted this month by American Eagle Outfitters, the niche retailer of casual clothing for the 15- to 25-year-olds.
    “Your dog’s style is another form of expressing your own, and we are thrilled to bring American Eagle fashionable looks to our pups with the debut of American Beagle Outfitters,” American Eagle style director Preston Konrad was quoted as saying in a March 24 press release.
    American Beagle collection was released online modeled by 16 dogs in sizes small, medium and large. Styles are geared to men and women who are invited to “shop this look” to find matching human clothes.
    Beguiled shoppers awaiting the spring debut are invited “to sign up for the waitlist and receive 20 percent off American Eagle purchases, with $1 per order benefitting the American Society for the Prevention of Cruelty to Animals.”
    Viewers can also “show off your own #AEOstyle,” posting pictures of their dressed up dogs.
    An accompanying “dogumentary captures the inspiring journey of the doggy-human clothing line from ideation to creation.”
    See for yourself at www.ae.com/dogs.
    Or it is a mocumentary?
    Neither American Eagle nor American Beagle Outfitters returned Bay Weekly inquires about the new collection. Buzzfeed couldn’t get confirmation either.
    “New American Beagle Outfitters line is probably an April Fool’s joke,” reports The Consumerist, a blog overseen by Consumer Reports.
    Too bad for you, but your dog’s rejoicing.

Countless specks form the Zodiacal Light

The waning crescent moon ends the week low in the southeast before dawn. Sunday marks the new moon, the second in March. But it’s not gone long, reappearing as a thin sliver above the western horizon at sunset on the 31st.
    With the moon out of sight much of the night, this week provides one of the best chances to see the zodiacal light, a hazy glow that extends like a cone from the western horizon pointing heavenward also called false dawn. It appears an hour or two after sunset, and you’ll only see it with clear, dark skies.
    If you see the zodiacal light, you might first think you’re looking at a wispy cloud, back-lit by starlight. Or maybe the Milky Way. But its opaque, pyramid-shaped glow extending up from the horizon is unique.
    What you’re seeing are tiny bits of matter floating between the sun and earth. Left over from the formation of the solar system 4.5 billion years ago, they range in size from meters to millimeters. Like everything else in the solar system, these micro-worlds orbit the sun, following the same path along the ecliptic as the other planets. And like the planets, they are not themselves luminous. What we see is sunlight reflected back to our eyes. None of these pieces of solar system detritus are large enough to reflect enough light to be seen from earth, but collectively they create this distinct glow that we see after sunset in late winter and early spring.
    While you’ll have to hunt for the zodiacal light, Jupiter is not nearly so elusive. In fact, the king of the planets rules the heavens from sunset, when he is almost directly overhead, until 2:30am, when he sets in the west-northwest. In that time, there is no brighter object visible.
    Mars rises around 9:30 and is easily spotted well above the horizon an hour later. Normally Mars shines about as bright as the average star. Not so right now, when the red planet easily outshines blue-white Spica five degrees to its lower-right. Mars glows a distinct orange-red and is almost as bright as it ever gets — almost. Watch over the next coming nights as the red planet climbs higher and glows brighter on its way to opposition April 8.
    Saturn rises before midnight, but your best view of the ringed planet is before dawn, when it is high in the south. It’s far to the left of Mars and not near so bright. The nearest bright star to Saturn is Antares, the red heart of Scorpius to the south.
    Venus rises an hour ahead of the sun. While this Morning Star doesn’t climb high above the horizon, it blazes at –4.5, exponentially brighter than any star.
    The pre-dawn window to see Mercury is closing fast. It trails Venus by about 20 degrees and is tight against the east-southeast horizon a half hour before sunrise.
    As if preparing for a final bow before leaving the stage, Orion stands over the southwestern horizon at sunset. This week is your last chance to observe the great hunter in the Globe At Night campaign. Come the end of April, Leo will become the focus in this effort to plot light pollution around the planet. For more information go to www.globeatnight.org.

Add soil-testing to your spring chores

High winds have cluttered lawns and gardens with branches and debris. Rake thoroughly to remove anything that might be propelled into the air by a fast-spinning lawnmower blade. Don’t add yourself, your pets or your windows to the statistics of lawnmower injuries.
    While you have the lawnmower in operation, raise its deck to four inches and push it through the flower garden. This is a great way of pruning the top of the perennials and annuals and pulverizing them into mulch. This natural mulch will not suffocate the roots. Leave the stems of annuals in place to help maintain the mulch. Both stems and roots of annuals will contribute organic matter to the soil.
    This is a great time of year to prune the buddleia to the ground. Don’t be afraid. Butterfly bush is nearly impossible to kill. I have seen it grow in thatch roof on houses in England.
    Spring is also time to divide perennials that are becoming crowded. I like using a Japanese gardeners’ knife or a hatchet with a hammer to divide perennials with crowns that are difficult to pull apart by hand. Use the knife or hatchet to divide the top of the crowns down to the roots, then pull the roots apart. This method helps you recover a greater portion of the roots. If you are dividing a large clump, discard the center portion, which is generally the oldest and the most susceptible to rot.
    Clumps of ornamental grasses also need dividing. The center of large ornamental grasses tends to die out, resulting in a donut appearance. Before digging the clump, use your power hedge clipper to prune back the top. You can make the top into mulch by cutting the stems into four- to six-inch lengths and letting them lie. Cut the stems as close to the ground as possible, and don’t worry about cutting a few new green shoots.
    Root-prune the clump close to the outer edge by sticking the blade of a sharp shovel perpendicular to the ground and pushing until its top is flush with the ground. Repeat this step around the entire clump. Dig a ditch around one-half the circumference of the clump before trying to wedge the root ball from the opposite side of the ditch. With the root-ball above ground, use an ax and a sledgehammer to divide the clump into smaller clumps four to six inches in diameter, saving only those divisions along the outer edge. Discard all crowns close to the center of the clump. These are the oldest crowns and prone to rot.
    If you are a friend of the Bay, want to save money and desire the best lawn and garden ever, have your soil tested. If you have been fertilizing your lawn and garden year after year and/or have not applied lime, there is a good possibility that you could have problems. Excess levels of phosphorus in the soil cause nutritional problems. Your soil may be too acid to grow plants efficiently. Or the organic matter in your garden soil could be too low.
    Only a soil test will give you the information to correct the problem and help you become a better gardener. Go to www.al-labs-eastern.com and follow the instructions. If you would like the Bay Gardener to review the test results, include my name and email, dr.frgouin@gmail.com, and they will send me your results.
    Do not include a crop on your form, which will save you a few dollars. But I will need to know what you are growing to make the proper recommendations, so e-mail me crop information separately. I do not charge Bay Weekly readers for my recommendations.