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Articles by Jim Reiter

Fake News, 1644 Style

       Mistaken identities, a hero’s fondness for unashamed exaggeration and the quest for love permeate The Liar, Richard Wilbur’s modern interpretation of Pierre Corneille’s 1644 farce, his most famous comedy. Under the deft guidance of director Steve Tobin, Compass Rose Theater’s production is not only well acted and well staged but also an ageless play you want to watch.

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Still playing after all these years? That’s relevance

   There are many reasons that theater classics are classics. In most cases, the reason can be described with one word: relevance. No matter how long ago a work of art was created, its relevance to the human condition makes it timeless. Such is the case with George Bernard Shaw’s Pygmalion, in a funny yet sobering revival at Compass Rose Theater.

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Boys will be boys, but their parents can be hell

"My whole life is in there!" That’s the quote of the night as Alan becomes tragically detached from a part of his body — his cell phone — in Yasmina Reza’s Tony Award-winning God of Carnage, playing through March at Compass Rose Theater. In his playbill notes, director Steven Carpenter quotes playwright Reza as saying of her plays: “They are funny tragedy, but they are tragedy.” Indeed.

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Still dazzling after 35 years

Let me describe the spirit of Christmas: It’s the wonder in a child’s eyes when Scrooge talks to them as they wait in line November 19 with their parents for a ticket to Colonial Players’ 35-year Annapolis holiday tradition, A Christmas Carol. It’s another child’s giddy excitement when Ebeneezer pulls them from the audience to dance as he joyfully transforms from cold-hearted humbug to warm, genial benefactor....

Colonial Players awards $1,000 to 2015 contest winner Mark Costello

Over 67 years, The Colonial Players of Annapolis has made its reputation by producing top-quality plays and musicals like The Liar, which earned the British Embassy’s 2015 Ruby Griffith Award as the best overall community theater production in the Washington-Baltimore area.
    The all-volunteer company also encourages new works. Since 1973 it has sponsored a biennial Promising Playwright competition. 2015’s winner was in the spotlight last weekend.
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A show of fun and fashion delights kids and the adults who bring them

Infinity Theatre — which has gained a solid reputation for bringing New York talent to the Annapolis stage — gives young audiences as well as adults a taste of professional theater.
    Infinity’s production of The Emperor’s New Clothes is a delight; you know it’s a winner when the parents and grandparents cheer and clap as enthusiastically as the kids they’ve accompanied.
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Farewell, Dignity Players

Less is more.    
    For nine years, Dignity Players proved it. The focus of this unique volunteer theater company was not on complex sets, colorful costumes, tricky lighting and sound effects. It couldn’t be, because for Dignity those things didn’t exist. All that existed was the small, bare stage at the Unitarian Universalist Church of Annapolis.
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