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Articles by Jane C. Elkin

Passionate singing electrifies ­scripture with personal resonance

When two 20-somethings recorded a musical version of the Passion of Jesus Christ in 1971, rock opera was an innovation. Then Norman Jewison turned Andrew Lloyd Webber’s score and Tim Rice’s lyrics into the iconic 1973 film Jesus Christ Superstar, slapping audiences awake with an electrified take on the scriptures.
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Opposites not only attract, they also repel, making for a timeless comedy

Neil Simon’s 1963 romantic comedy Barefoot in the Park was a box office smash on stage and screen, not merely because it starred dreamy Robert Redford but because it’s packed with hilarious moments. What’s not to get about newlyweds learning the hard lessons of why opposites not only attract but also repel?...

Amazing stories brought to life with astonishing effect — this is theater at its best

For good old-fashioned escapist entertainment, Annapolis has never seen the likes of Colonial Players’ Shipwrecked. Commissioned by a children’s theatre, this play is unlike both Donald Margulies’ other plays and much of what dominates local stages during winter months.  Audiences of all ages will love the story and Colonial’s innovative presentation.
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Can Canada’s answer to Neil Simon match the American’s wit?

Snows may soon cover the golf course, but golfers can escape to the links this winter at The Bay Theatre, where Norm Foster’s comedy The Foursome is now playing. If you long to crack open a few beers and play verbal tackle over a friendly wager, then this is the play for you.
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International intrigue with a local angle and author

Midnight in Moscow opens with a scene with immediate familiarity for local readers: a news story featuring a car set ablaze at a BWI parking lot. Then a young Russian American woman is found murdered along the C&O Canal. From there it’s a short hop to Annapolis and the main character, Emily Cowan, a sassy sleuth of a certain age who globetrots from western Maryland to Germany, Russia and the Near East.
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You’ll welcome the light after two dark hours

Nostalgic for mudslinging yet? If so, you must see Colonial Players’ production of Sunlight, a thoughtful and well-acted tale of academic and family discord over post 9/11 foreign policy.
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Plenty of gore and breathtaking power, but at 2¾ hours, it demands staying power

The online gore-ometer measuring gallons of blood spilled in The U.S. Naval Academy Masqueraders’ production of Titus Andronicus reached five gallons after opening night. With nine onstage murders, one rape, six dismemberments and one incidence of cannibalism, the midshipmen were determined to milk Shakespeare’s bloodiest play for every drop.
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The consequences of a moment last a lifetime

Remember the worst thing you ever said, the words you wish you could take back? The worst thing you ever, the act you wish you could undo? Of course we do, which is why Athol Fugard’s award-winning Master Harold … and the boys is so riveting.
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Bowie Community Theatre’s Dracula
 

Time is short, and it’s bloody frightful. This much we sense from the moment we enter the theater, where a towering clock face in crimson and coal looms over the stage, its second hand racing. A vampire feasts on a maiden. A rampaging lunatic cackles and cowers. Scrim up. Welcome to The Bowie Community Theater’s Dracula, an ­otherwise pallid reflection of a classic.
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Discovery is half the fun in 2nd Star’s Bloody Murder

The marquee outside the Bowie Playhouse is only slightly exaggerating in promising You’ll Die Laughing at 2nd Star Productions’ season opener, Bloody Murder. This is far and away the best non-musical I’ve ever seen under this roof. A creative new show from a new playwright, it’s just the thing for audiences who like to think outside the box and appreciate brainteasers, puns and Brit-bashing....