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Articles by Jane C. Elkin

This frothy farce reflects on commitment as characters at crossroads take literal and figurative steps

British farces are not usually my cup of tea; I find madcap, bawdy romps to be silly and exhausting. But Alan Ayckbourn’s Taking Steps is a delightful summer infusion of iced chai: more cool and spicy than hot and saucy, with suspenseful plot twists to make it fun. Colonial Players’ production delivers on its promise to present “a set of very probable, though quite amusing characters in a series of improbable situations that uncover a treasure trove of truth about human nature...

Rich not only in sound but also in spectacle

Atorch flickers in the castle keep before the orchestra plays a note, illuminating the Dark Ages and modern times alike with the dream of Camelot. 2nd Star Productions’ revival of Lerner and Loewe’s 1960 blockbuster sparkles like a chandelier with 33 local stars in sumptuous costumes and sets, under the visionary direction of Jane B. Wingard. It’s three hours of enchantment and unflagging entertainment.     The myth follows the rise and fall of King Arthur...

Big entertainment with 17 singers and dancers, 30 songs and dances and 100 costumes

Swing! was a gusty and lusty blast from the past on Friday night at Annapolis Summer Garden Theatre. At 53 degrees with gale-force winds, it felt like Winter Garden Theatre. President Carolyn Kirby said she hadn’t seen the like since the cast were babes. But as the program notes, “Swing was never a time or place — it has always been a state of mind.” In the end, mind triumphed over season.     Whether from opening weekend jitters or hypothermic shivers in...

This cabaret of pop, Broadway and opera tunes is a fun potpourri

Theater 11 is the 2003 creation of 11 artists from the Anne Arundel County theater and music scene, devised to bring new or rare works to local audiences. They began with a seldom seen Wendy Wasserstein play, followed by two original works by local authors. Their stage went dark after two seasons while its members focused on life’s larger needs. But their vision never died. They reclaimed the stage in December with In Celebration, a holiday collage of prose, poetry and song, which they...

See for yourself in three days of Compass Rose Theater’s New Play Festival

A three-ring circus excites us with more than we can possibly take in with only two eyes.     A three-act play relies on incitement, complication and resolution.     Compass Rose Theater’s New Play Festival promises three days of ambition, achievement and aspiration. Day I: Ambition     Imagine success at playwriting as a mountain to be climbed. Friday evening you see one playwright beginning the climb, another working his way up. You...

Unspoken passion simmers behind courtly manners in this gem of pop culture from a bygone era

It is a truth universally acknowledged that a single man in possession of a good fortune must be in want of a wife.     So says Jane Austen in the original chic lit, Pride and Prejudice, which opens The Annapolis Shakespeare Company’s third season at the Bowie Playhouse. Questing to bring local audiences not only works by the Bard but also other time-tested classics, the company takes us to Britain’s Regency. Jon Jory’s 2005 stage adaptation promises “...

Playing thru Mother’s Day, this study in maternal dysfunction should be required viewing for everyone but childless orphans

Can an estranged grandmother, mother and daughter find grace in time to rebuild their family? This is the question Compass Rose Theater poses in their promotion for Lee Blessing’s Eleemosynary, an award-winning play that takes its name from an obscure word in a spelling bee dictionary. Appearing now through Mother’s Day, this study in maternal dysfunction should be required viewing for everyone but childless orphans. For if nurture trumps nature and we are what our parents made us,...

This Night is so dark that you strain to see the actors

Bowie Community Theatre is up to its rafters in shady business again. The troupe that brought you Murder By Misadventure and Who Dunit? now turns to the segregated South for a crime drama with the twisted face of bigotry. Matt Pelfrey’s 2010 stage adaptation of In the Heat of the Night is based on the John Ball novel that inspired an Oscar-winning film and an Emmy-winning TV series.     The place: Argo, Alabama. The time: 1962. The crime: murder. The victim: developer...

In Sister Mary Ignatius and in The Actor’s Nightmare are plights you’ll remember from your past and in your dreams

Winter has a way of boxing us into our insular realities. Bay Theatre unfolds them with mind-bending comedy in a double bill of one-acts: the Obie Award-winning satire Sister Mary Ignatius Explains It All for You! and The Actor’s Nightmare. Both are by Christopher Durang, sometimes referred to as Christopher Deranged.     The stage is set with an ancient stone edifice featuring skewed doorways behind a marble balustrade or altar. A church courtyard, perhaps, where we will...

Passionate singing electrifies ­scripture with personal resonance

When two 20-somethings recorded a musical version of the Passion of Jesus Christ in 1971, rock opera was an innovation. Then Norman Jewison turned Andrew Lloyd Webber’s score and Tim Rice’s lyrics into the iconic 1973 film Jesus Christ Superstar, slapping audiences awake with an electrified take on the scriptures.     Forty years later, the experiment is an international phenomenon, staged in concert by Opera AACC with riveting effect. Remarkable singing and acting...