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Arts and Culture (Theatre Reviews)

First-rate performers, playful ­choreography, excellent music and an enduring message

The game of life has no stadium or season yet is rife with winners and losers, superstars and scandals. We all love a good underdog story, and if it can be told in song and dance, all the better. Compass Rose Theater’s The Roar of the Greasepaint, the Smell of the Crowd is just such a spectacle.
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Annapolis Shakespeare Company delivers a deep play for thoughtful viewers

Director Donald Hicken, a Helen Hayes winner and Tony nominee, has adapted Anton Chekhov’s Three Sisters to convey with elegant simplicity and exquisite bleakness the provinciality of a place so depressing it is identified only as “not Moscow.” This show is the company’s strongest production to date. But it is not for playgoers with seasonal depression.
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See what's coming to a stage near you this season

2nd Star Productions’ Children of Eden

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A show of fun and fashion delights kids and the adults who bring them

Infinity Theatre — which has gained a solid reputation for bringing New York talent to the Annapolis stage — gives young audiences as well as adults a taste of professional theater.
    Infinity’s production of The Emperor’s New Clothes is a delight; you know it’s a winner when the parents and grandparents cheer and clap as enthusiastically as the kids they’ve accompanied.
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Magical flight beyond Neverland

     Peter Pan is an ageless adventure in a magical realm of opportunity and imagination. It’s impossible to stay earthbound when Peter Pan (Sam Ellis), Wendy (Lucy O’Brien), Michael (Tad Clifton) and John (Connor McCarty) lift off from the stage to fly to Neverland.
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A perfect orphan for the holidays

Leapin’ lizards, Annie, how do you still break hearts after 35 years, even when we know what’s coming? It’s not just your heart-warming premise or sweet songs, your adorable mutt or Vaudevillian villains. It’s the magic of a cast so sincere and invested that two hankies are not enough for Colonial Players’ family holiday classic.
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Nothing here but wit, and that aplenty

Of Oscar Wilde’s The Importance of Being Earnest 1895 premiere, critic William Archer wrote in The World newspaper, “What can a poor critic do with a play which raises no principle, whether of art or morals, creates its own canons and conventions and is nothing but an absolutely willful expression of an irrepressibly witty personality?”
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Not up to Twain’s standard

Good theater, like good fiction, convinces the audience to suspend its disbelief, and Mark Twain’s genius was his ability to convey place and personality with such unblinking realism that we embrace his story no matter how far-fetched. In The Adventures of Tom Sawyer, that meant accepting that Tom (John Patterson), a kid from a good home, could be best friends with the town delinquent, Huck Finn (Erik W....

Last chance to see Shakespeare live before he disappears into the mists of time for another 400 years

Not ready to hang up Halloween? Then Theater 11 has just the treat for you this Friday, All Saints Day and Saturday, All Souls Day). It’s a spirited comedy featuring a celebrity ghost, Shakespeare.
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Halloween sweetens the bait in this timely production

Agatha Christie catches you in her Mousetrap — the longest running show in the world — baited by Twin Beach Players with Halloween lure.
    Enter the cozy North Beach Boys and Girls Club and you step into the spell. Cobwebs drape the gate of Christie’s barely illuminated Monkswell Manor, now a guesthouse.
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