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Arts and Culture (Theatre Reviews)

Here’s Crimes of the Heart flipped to comedy

“Why is it that whenever she is wrong, we’re the ones who feel bad?,” asks one sister about another in Bowie Community Theatre’s new production of playwright Del Shores’ comedy Daddy’s Dyin’ … Who’s Got the Will? Such are the family tensions at the heart of the show and, honestly, haven’t we all been there — probably very recently at a holiday gathering?...

Amazing stories brought to life with astonishing effect — this is theater at its best

For good old-fashioned escapist entertainment, Annapolis has never seen the likes of Colonial Players’ Shipwrecked. Commissioned by a children’s theatre, this play is unlike both Donald Margulies’ other plays and much of what dominates local stages during winter months.  Audiences of all ages will love the story and Colonial’s innovative presentation.
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Can Canada’s answer to Neil Simon match the American’s wit?

Snows may soon cover the golf course, but golfers can escape to the links this winter at The Bay Theatre, where Norm Foster’s comedy The Foursome is now playing. If you long to crack open a few beers and play verbal tackle over a friendly wager, then this is the play for you.
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By November 25, almost two weeks before opening night, Colonial Players’ musical A Christmas Carol was sold out. That amazing feat speaks to the power of Charles Dickens’ classic and to Colonial Players’ place in the traditions of its community.
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With lines straight from Charles Dickens’ own hand, Twin Beach Players’ third adaptation of A Christmas Carol is its most realistic performance yet, according to director and producer, Regan Cashman.
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Great songs, strong voices and ­spirited dancing

Oklahoma!, the Pulitzer Prize-winning first collaboration between Richard Rogers and Oscar Hammerstein II, is a rousing night of theater with spirited and memorable music. 2nd Star Productions has the vocal talent to do justice to this great musical.
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You’ll welcome the light after two dark hours

Nostalgic for mudslinging yet? If so, you must see Colonial Players’ production of Sunlight, a thoughtful and well-acted tale of academic and family discord over post 9/11 foreign policy.
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It will make good memories for the months the company revamps

With Crimes of the Heart, Dignity Players closes a season devoted to love conquers all and adds a new dimension to its billing as “theatre for change.”
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Plenty of gore and breathtaking power, but at 2¾ hours, it demands staying power

The online gore-ometer measuring gallons of blood spilled in The U.S. Naval Academy Masqueraders’ production of Titus Andronicus reached five gallons after opening night. With nine onstage murders, one rape, six dismemberments and one incidence of cannibalism, the midshipmen were determined to milk Shakespeare’s bloodiest play for every drop.
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Yes, it’s scary. My nails prove it.

Twin Beach Players works Gothic magic recreating Mary Shelley’s Frankenstein in North Beach Boys and Girls Club’s gymnasium. On opening night, the 14-year-old community company sent a full house back in time to 1816, into Dr. Frankenstein’s madness and Arctic ice.
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