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Arts and Culture (Theatre Reviews)

Hear those old spectacular songs sung by strong new voices

     When Annie Get Your Gun opened on Broadway in 1946, it was a star vehicle for the brassy, trumpet-voiced Ethel Merman. Irving Berlin’s songs became legendary, from the lively There’s No Business Like Show Business and Anything You Can Do to the romantic They Say It’s Wonderful and I Got Lost in His Arms.
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Fake News, 1644 Style

       Mistaken identities, a hero’s fondness for unashamed exaggeration and the quest for love permeate The Liar, Richard Wilbur’s modern interpretation of Pierre Corneille’s 1644 farce, his most famous comedy. Under the deft guidance of director Steve Tobin, Compass Rose Theater’s production is not only well acted and well staged but also an ageless play you want to watch.

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Qué Calor! 

         The hottest thing in Annapolis these days isn’t the weather but Lin Manuel-Miranda’s In the Heights, playing through Memorial Day weekend at The Annapolis Summer Garden Theatre. Under the direction of Darnell Patrick Morris, the same guy who brought us Avenue Q and Hair Spray, this production is so outstanding it’s easy see why the Hamilton composer’s show won the 2008 Tony for Best Musical....

Annapolis Summer Garden Theatre, 2nd Star Productions and Colonial Players take top Ruby Griffith Awards

 If dinner and a show sound like an ideal date night but you’re reluctant to drive to the city and drop $75 a ticket, consider that some of the area’s best theater is right in your own back yard at a fraction of the price. Such was proven last month for the 10th time in as many years when three troupes from Anne Arundel County nearly swept highest honors at the 45th Annual Ruby Griffith Awards.  

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Dickens’ last becomes a whodunnit

            Charles Dickens’ commentaries showed the often dark and ­dreary reality of life in Victorian England. So why is a group of teenage actors of The Talent Machine Company dancing and singing a Dickens’ story at St. John’s College?

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Come to hear kids tell you what’s on their minds

   Scene: An up-and-coming Bayside town. The building, a Boys and Girls Club, is charming in a functional way, surrounded by playgrounds and parking lots, filled with laughter and noise. Rooms are utilitarian. Walls are speckled with flyers for team meetings and reading club dates.

            Despite its sensible nature, the building shimmers with the energy of kids unleashed.

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Rocking with televangelical energy

Surely you remember Whoopi Goldberg in the hit film Sister Act? How outsized she was as nightclub chanteuse Deloris Van Cartier, how woefully entangled with her married mobster boyfriend, how terrified when she saw him shoot a man in cold blood and how hilarious she was masquerading as a nun? Hold that thought …

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Pulitzer Prize-winning comedy yields a full house of fun

It takes chutzpah to put on a Pulitzer Prize-winning play, but Twin Beach Players thrives on challenge.

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A moviemaker without a script meets all the loves of his life in this seductive musical



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Boys will be boys, but their parents can be hell

"My whole life is in there!" That’s the quote of the night as Alan becomes tragically detached from a part of his body — his cell phone — in Yasmina Reza’s Tony Award-winning God of Carnage, playing through March at Compass Rose Theater. In his playbill notes, director Steven Carpenter quotes playwright Reza as saying of her plays: “They are funny tragedy, but they are tragedy.” Indeed.

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