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A lewd romantic dramedy with gratuitous nudity bouncing around the conceit of trying to say something profound.

What an odd little romance.

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Wizards and muggles will find fun and suspense as Harry’s magical world collapses around him

When the screen faded to black at the end of Harry Potter and the Deathly Hallows there was an audible protest from the audience. The fact that a packed house sat still for 146 minutes and begged for more when the credits rolled is probably the best recommendation I can give.

But they pay me to write more than a paragraph.

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Suspiciously well done!

When Something’s Afoot opened on Broadway in 1976, critic Walter Kerr pronounced the musical mystery fundamentally flawed.  Because music relaxes, he said, it’s incompatible with suspense.

Obviously Kerr wasn’t a fan of Hitchcock. But his question remains: Can a suspense murder mystery sustain itself as a musical?

We’ll see.

Does Something’s Afoot give us memorable music? No.

Does it hold great suspense? No.

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A veteran engineer and novice conductor race to subdue a rampaging locomotive in this fun chase.

Frank (Denzel Washington: The Book of Eli) is a veteran railroad engineer trying to train up a distracted rookie, Will (Chris Pine: Star Trek). They’ve just hit the main line when they find out a fully loaded runaway train with tankers full of highly explosive cargo — “a missile the size of the Chrysler Building” — is roaring through southern Pennsylvania towns at speeds over 70 miles per hour toward a dangerous S-curve....

There’s a lot to like in the midshipmen’s roots journey to Oklahoma

Green Grow the Lilacs is a love story set in a community on the brink of change: farmers crowding cowboys, Indians assimilating with settlers and Oklahomans pondering the controversial question of the territory’s statehood. In 1931, Lynn Riggs, part Cherokee himself, wrote about people whitewashed by Rogers and Hammerstein for 1940s’ audiences in their musical adaptation, Oklahoma!, which eclipsed the original.

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Chesapeake Country Chefs share their recipes for signature Thanksgiving side dishes — and more

There’s going to be turkey, you can bet on it, writes Richard Whelan, general manager at Pirates Cove.

Whether you’re going to a friend’s or relative’s house, or, maybe they are all coming to your house, chances are there is going to be a big fat roasted turkey in your future come Thanksgiving. That’s why we call it Turkey Day.

Maybe even a ham. A good, salty, country ham if you’re lucky.

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Evil makes good in this amusing superhero farce.

Megamind (Will Ferrell: The Other Guys) is the brainiac supervillain of Metro City. He terrorizes the town in his repetitive quest to defeat superpowered arch nemesis and golden boy Metro Man (Brad Pitt: Inglourious Basterds). That is, until the villain finally knocks the hero out of the picture. Finally, Megamind owns the town, but without a rival to challenge him the fun is gone....

This dysfunctional family comedy makes for a terrific season opener.

 

The dysfunctional family comedy Keeping Faith is a terrific choice for Twin Beach Players’ season opener. When well-meaning parents kidnap their own daughter to frustrate her May-September romance, it’s high-stakes drama in a low-rent motel. The plot, inspired by a 2007 news sensation, requires only four solid actors and a simple space that lends itself well to cheapening. The Holland Civic Center fills the bill beautifully, and the cast is nearly there.

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A sister struggles to free her innocent brother in this jumbled biographical legal drama.

Betty Anne (Hilary Swank: Amelia) and Kenny (Sam Rockwell: Iron Man 2) are tight-knit siblings bound by hardship and mischief. Kenny’s a little more mischievous, though, and the favorite suspect of local cops winds up serving a life sentence without parole when they pin him for a vicious murder....

Film noir takes the stage.

Murder, mayhem, lies and double-crossing; good gals, bad guys, gangsters, thugs, hard-boiled detectives and hapless bartenders — Earth and Sky has all the elements of film noir. But can the atmospheric genre translate to the stage? Do the intricate and often confusing plot lines of the mid-20th century film style make sense in live theater?

Yes and no.

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