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Denzel Washington puts power tools to bloody good use in this action thriller

To the employees of HomeMart, Robert McCall (Denzel Washington: Two Guns) is a teddy bear. He shows off dance moves on breaks, helps an overweight employee train to become a security guard and has a kind word for all. His coworkers speculate on Bob’s former occupation: teacher or Wall Street tycoon gone broke?
    A widower, he lives like a monk in a sterile apartment with books and few modern conveniences. When the solitude gets to him, he visits the local diner to sip tea and read in the neon glare. Here he befriends Teri, a young prostitute for the Russian mob (Chloë Grace Moretz: If I Stay). They talk books, dreams and fate, while Bob proposes Teri consider a less fraught career path.
    When Teri’s pimp beats her into the ICU, Bob returns to his past as a CIA wetworker. The mob, in turn, must figure out who is massacring foot soldiers before losing the entire East Coast operation.
    This blood-soaked vengeance yarn based on a popular 1980s’ television show has more in common with Death Wish than with primetime television. Director Antoine Fuqua (Olympus Has Fallen) takes his time unleashing Bob into stunning, tense and gory action sequences that have audiences cheering and gasping.
    Fuqua doesn’t waste time on script or subtle characterization. His love is action clichés. In his hands, you see how effective a rain-soaked, slow-motion showdown can be. He also mines all the violent potential of the HomeMart store. I’ll never look at yard clippers the same way again.
    Women do better than usual in this action film. Yes, Teri is brutalized. But she remains a daughter figure rather than becoming Bob’s girlfriend. For a feminist twist on the CIA handler, ­Melissa Leo is cast as a powerful ally.
    Washington’s range from charming to terrifying is a wonder. This is his movie. He fires a gun and wields a corkscrew believably, but it’s his acting that makes Bob compelling. When Bob lets loose his murderous talents, Washington transforms him up to his eyes, which go from lively to dead.
    The Equalizer is a classic action movie. Watching it, you’ll shovel popcorn into your mouth, cheer, scream and hope that if you’re ever in trouble, Denzel Washington has your back.

Great Action • R • 131 mins.

Earth’s shadow blots out this week’s full moon

With sunrise now after 7am, perhaps you’ve seen an exceptionally bright light in the south before dawn? Looking up, did you see the constellation Orion? That’s Sirius, the brightest star in the heavens, known as the Dog Star for its place amid Canis Major. Sirius rises around 2am in the east-southeast. Close to the horizon, it pulses a dazzling rainbow of colors, its light refracted by earth’s atmosphere like that from a prism. Closer to daybreak, when Sirius is high in the south, its light cuts through less of our atmosphere and appears a brilliant, cold white. As if Sirius didn’t stand out from its brightness alone, the three belt stars of Orion point straight down to the Dog Star.
    Perhaps, though, you’re looking due east in the hour before sunrise. In that case you’re seeing Jupiter, which outshines even Sirius. The giant planet rises around 3am, and by 6am it is high in the east. Below Jupiter is the constellation Leo with its upper body looking like an inversed question mark with Regulus at the bottom.
    You’ll want to get up before dawn Wednesday to catch the total lunar eclipse of the full, Hunter’s Moon. An eclipse of the moon only occurs during full moon, when it is aligned just so with the earth and sun, which casts earth’s shadow over the lunar surface. The process begins after 4am as the moon grows darker under the outer, penumbral, shadow. A little after 5am, the full, umbral, shadow begins to take a growing bite from the moon’s left edge until it is completely over-shadowed by 6:30. Mid-eclipse is at 6:54, after which point the rising sun breaks the spell.
    At the other side of darkness, Mars and Saturn appear at sunset. Saturn is fast on the heels of the sun, low in the southwest at dusk. Night by night the ringed planet is sinking lower and inching closer to the sun until it disappears around month’s end. Mars trails Saturn by roughly 20 degrees. Normally its red hue makes it easy to spot, but you may think you’re seeing double, as Mars is less than five degrees above another red light, Antares, the heart of Scorpius, whose name means rival of Mars. Over the coming weeks Mars creeps higher while the scorpion sets from view for winter.

Song and dance liven up the first book of the Bible

Family legacies of love, anger and rebellion define Shakespeare, fairy tales, soap operas and the oldest story of them all, The Book of Genesis, recounted in 2nd Star Productions’ Children of Eden with exquisite beauty. This is a show the whole family will love by Stephen Schwartz, creator of Broadway legends Godspell, Pippin and Wicked. Heart breaking and humorous, it recounts Genesis in songs ranging from lyrical ballads to pulsing dances, Gospel and even soft shoe.
    In Eden, Father (Chris Overly) creates the heavens with a spectacle of lights in “Let There Be.” Next come Adam (E. Lee Nicol) and Eve (Caelyn Sommerville) in the doting “Father’s Day.” Eve’s “Spark of Creation” is glorious, as is the Father’s “Grateful Children.” Revel in “The Naming” of a delightful menagerie. Hear the sibilant snake (Robbie Dinsmore, Dakarai Brown, Tara Hebert, Erin Lorenz and Malarie Novotny) seduce Eve in five-part harmonies in “In Pursuit of Excellence.” Cry with Adam when he is torn from Father in “A World Without You,” Follow the couple’s discordant “Expulsion to the Wasteland,” where they express redemptive joy in parenting Cain (Creed Jackson) and Abel (Andrew Sharpe) in “Close to Home.”
    See history repeat itself when adult Cain (Austin Dare) blames his parents for their plight “Lost In the Wilderness” and disobeys his father, striking out for pagan lands. Mourn when Abel (Daniel Starnes) catches the blows intended for his father and Cain’s descendants are forever marked by his sin. By the Act I finale, your heart will break with Eve’s in her twilight song, “Children of Eden,” a glorious farewell to her countless descendants.
     Act II opens with a spectacular African-inspired song fused with Asian-inspired dance in “Generations of Adam.” The first act’s earth-toned rags are replaced by an array of colorful stripes and silks as we meet Noah (Nicol) and Father making preparations for the flood. Noah is to bring Mama Noah (Sommerville), his sons Ham (Dinsmore) and Shem (Brown), their wives Aphra (Erica Jureckson) and Aysha (Geneva Croteau), his youngest son, Japheth (Starnes) and his chosen bride, any girl who does not bear the mark of Cain.
    Of course, Japheth chooses the forbidden Yonah (Alexandra Baca), whom he persuades to stow away in their romantic duet “In Whatever Time We Have.”
    The carousel-inspired orchestral “Return of the Animals” enchants with its parade of 11 species, from anteaters with flicking tongues to towering giraffes and elephants. Then comes the starving time, Yonah’s discovery and Noah’s agonizing decision: “The Hardest Part of Love.” In Schwartz’ retelling, the severe God of the Old Testament softens as Noah releases all his children to different corners of the world, and Mama Noah leads the ensemble in the rousing Gospel anthem “Ain’t It Good?”
    Opening night of this charming spectacle would have been divine except for one colossal problem: Father, aka God Almighty, had laryngitis. As Overly’s impressive stage credits don’t include miracles, 2nd Star was short sighted to have no understudy for this pivotal role. Nicol and Sommerville, however, are vocally stunning, if a bit mismatched; she’s fresh as a spring rainbow and he’s ripe as Indian summer.
    The vocal ensemble and orchestra sound better than ever, with shining performances and a powerful chorus of storytellers led by soloists Alexandra Baca, Shannon Benil, Cheryl Campo, Kimberly Hopkins, Mary Wakefield and Chad Wheeler.
    The set is a simple stepped landscape backdrop, draped with flora, with ark and flood superimposed. Special effects including thunder and lightning are impressive. Costumes reflect civilization’s advances, though Adam’s AppWorld tattoo begs for justification.
     “The hardest part of love is letting go,” warns Schwartz, and this is true of his musical as well. I plan to return when God is feeling more like himself, and I suggest you do, too.


With Nathan Bowen, Wendell Holland, Charlize Lefler, Sophia Riazi-Sekowski, Samantha Roberts, Gene Valendo, Maia Vong, A.J. Williams and several adorable kids. Director and choreographer: Vincent Musgrave. Set designer: Jane B. Wingard. Costumes: Linda Swann, Carrie Dare and Beth Starnes. Musical director: Joe Biddle. Lights and sound: Garrett R. Hyde.
Playing thru Oct. 25: FSa 8pm; Su 3pm at Bowie Playhouse at White Marsh Park, Bowie; $22 w/discounts; rsvp: 410-757-5700; www.2ndstarproductions.com.

You’ll need them to get rid of ­creeping Charley and clover

Fall is the best time to eradicate clover and creeping Charley from your lawn and garden. Both of these broadleaf weeds can be controlled by spraying with Weed-B-Gone, Trimec or Speedzone. Apply at the rate of two tablespoons per gallon of water as a light spray on the foliage. Apply only enough spray to wet the foliage. 
    Take care to avoid dripping on the soil. These sprays are phenoxy compounds that can be absorbed through the roots of desirable plants, such as trees and shrubs, causing twisting and curling of leaves next spring. 
    Apply these sprays only on actively growing plants. They are not effective on plants stressed by drought. In drought, thoroughly irrigate the area at least 48 hours before treating with the herbicides. Apply in the early morning hours when the cells of the plants are turgid.
    Foliage absorbs the chemicals in a couple of hours. Keep pets and children away from the treated area for at least 24 hours. Wear rubber boots, rubber gloves and use low pressure to avoid drift. Do not apply spray when the wind is blowing. 
    In areas of heavy infestation, a second application may be necessary. The problem area is most likely infested with seeds of these broadleaf weeds, so anticipate the growth of young seedlings next spring. Eradication cannot be done in one year due to the weeds seeds accumulated on the ground.
    To prevent spring seedlings from becoming well established, set the cutting height of your lawnmower as high as possible so that the grass shades out the young weeds.
    Both clover and creeping Charley are difficult weeds to control. It generally takes three years of persistent fall treatment to eradicate them. 
    Where the clover dies, you may notice that emerging grass blades are greener than in other areas of your lawn. This is because clover fixes atmospheric nitrogen that is released into the soil after the plants die and decompose. Not creeping Charley; it’s just a nuisance.


Mulching With Leaves

Q    After a good rain, I raked leaves off my flower garden. The layer underneath was totally dry in many places, and when the rake passed over the ground, it gave off a sound as if it were hollow underneath. The dry old mulch appeared to have lots of graying in it. What should I do?

–Vicki Marsh, Deale

A    Dry leaves are hydrophobic, meaning difficult to wet. Add about two tablespoons of dish detergent to a watering can and sprinkle the solution over the dry leaves and gray layer beneath. After they seem wet, sprinkle additional water over them and incorporate all into the soil by spading or tilling. The gray matter is most likely actenomyces that will decompose the leaf residue once wet and active.

Ask Dr. Gouin your questions at DR.FRGouin@gmail.com. Please include your name and address.

Scientists succeed in gene sequencing the nasty pests

The first one broke in on August 29. Throughout September, every warm, sunny day brought more. Wiggling though cracks a fraction of their size, smearing windows, crawling up walls, hibernating in curtains, under cushions, behind pictures and among magazines. As humans and dogs basked outdoors on the last Saturday in September, a persistent hailstorm of invasive brown marmorated stink bugs pinged house, windows and doors.
    Nothing stops them but the suction of a vacuum cleaner or Bugzooka. So armed, we’ll catch hundreds. But many more will live among us until they swarm again to leave in spring.
    “Few treatments deter Halyomorpha halys, the damage it causes or its ability to spread,” say investigators at the Institute for Genome Sciences at the University of Maryland School of Medicine.
    “Growers consider the invasive stink bug to be the single most important pest in the mid-Atlantic region, and they have tried desperate measures, including the increasing use of broad-spectrum pesticides to control the problem.”
    They’re so pesky that Dr. Francis Gouin, the Bay Gardener, cut down his peach orchard rather than war with stink bugs over the fruit.
    Those bugs are pretty smart, but humans ought to be smarter.
    So University of Maryland geneticists and entomologists have devised a new strategy to quickly sequence the bugs’ genes. Their findings, they say, “could lead to new ways to control this abundant and costly pest.”
    The Maryland scientists developed a way to skip the time-consuming first step of breeding genetically identical individual animals in the laboratory. Instead, they managed to sequence and analyze all of the genetic variants that arose in their population of stink bugs, and to do so at all points in the insects’ life cycles, from the egg stage through late adulthood.
    “This is the first step in our ongoing work to develop a pest control strategy that employs molecular genetic techniques to manage the stink bug invasion without affecting other, potentially beneficial insects,”
says Prof. Leslie Pick, chair of the University of Maryland Entomology Department, who guided the research.

It takes a full palette to size up circumstances correctly

When surface-plugging for rockfish, I like to have at least two rods ready and rigged with contrasting colored lures so I can switch back and forth without interruption. This way I can immediately cast back to the spot of a missed strike with a different color, giving the fish two different looks.
    Over the years, my box of poppers has expanded to hold about 25 lures of at least a dozen different colors. Over many seasons, each lure has at one time or another been a special producer.
    As a general rule when fishing shallow (less than six feet) top water, almost any color floating lure can induce a fish to strike — when fish are there. Once you’ve established the presence of stripers willing to strike, you will also notice a color preference.
    You see this truth clearly when fishing with a partner offering a different color than yours. One of you will catch more than the other. If the low man switches to the more successful color, that difference will be greatly reduced.
    About four seasons ago, we rarely took a fish over 23 inches that wasn’t caught by one particular lure. That year’s favorite sported an iridescent green-and-black back, flashing gold sides and a bright orange belly. That one was the giant killer. Other lures may have taken more fish overall, but all the big ones fell to Mr. Orange Belly.
    Another year, all-black was the top dog for catching big aggressive rockfish. I always switch to black under poor light and heavy overcasts. That season, black was the best color by far under every condition. Last year, white was the most productive. This year has yet to be determined.
    You can guess forever about why the preferences change year to year or even day to day. It’s one of the mysteries of angling.

Color Is a Changing Phenomenon
    A menhaden doesn’t display the same colors dead or even freshly out of the water as it does when it is cruising with its brethren along a rocky shoreline. Often young ones flash silver, while older, bigger bunker will have a golden hue. A live eel free swimming shows different shades of lavender, not the black we expect eels to be.
    White perch are generally light or silver colored, especially when swimming around lightly colored bottoms. They can also take on a much darker, virtually black, appearance when they are over a dark bottom or ensconced among weed beds or downed trees.
    Those aren’t the only baitfish a successful fisher has to emulate. If the stripers are keying on silversides, they will be looking for a different color than when they’ve been munching on bay anchovies. Yearling mud shad will sport a much different look and shade than a peanut bunker. Yellow perch are much more colorful than white perch. I have caught rockfish stuffed fat with jet black mad toms (baby catfish).
    Rockfish also love blue crabs, soft ones when they can find them though they’ll eat small hard crabs as well.
    All of these prey species are different colors, and these colors alone can trigger strikes under the right conditions.
    Your lure doesn’t have to emulate the exact item the rockfish are eating. If the color is close to the one the fish are expecting to see, they will attack.

Testing the Waters
    Faced with a full color palette, I went right to basics starting with an all-black Smack-It Jr. on one rig and a plain all-white variation on my second outfit.
    My partner had tied on a silver plug with black details that suggested a more realistic baitfish.
    As we moved along the calm shoreline, his lure drew an uncertain swirl behind it. As he threw back into the same area, I shamelessly dropped my all-black popper just a dozen feet upcurrent of his.
    Apparently my offering was closer to what the fish wanted. I was soon fast to a fat and explosive striped bass that turned the water to froth.

Destinations for sunny as well as rainy days

Here at Bay Weekly we’ve been on a museum kick, so we couldn’t agree more with the assertion of Gracie Brady — herself a museum founder — that “we are fortunate in Maryland to have so many great museums, each with its own strengths.”
    We made museums our destination, and this week, we report to you on our visits.
    Ever eager for news, I was drawn to Calvert Marine Museum in Solomons to see what wonders would appear in the Estuarine Biology Exhibit, closed since January for remodeling.
    Annapolis Maritime Museum in Eastport held novelty for writer Bob Melamud, who’d never visited before writing this story.
    At Bayside History Museum in North Beach, writer Mick ­Blackistone felt right at home. Marylanders since the Arc and the Dove, his family made donations that help stock that decade-old museum.
    As these three just scratch the surface, here follows a list of many other museums to visit on fall outings.

Annmarie Sculpture Garden and Arts Center
    Art is in full bloom here. Stroll through 30 acres of forest, meadows and fields along St. John’s Creek where you see art, including sculpture on loan from the Smithsonian. Solomons: www.annmariegarden.org.

Banneker-Douglass Museum
    From Maryland’s first African American settler Mathias De Sousa to Thurgood Marshall’s challenge to the Supreme Court, investigate the evolving African American story in Maryland’s official museum of African American heritage. Annapolis: www.bdmuseum.com.

Benson Hammond House
    In this historical house decorated with Victorian textiles and furniture, the Anne Arundel Historical Society documents the era when truck farming was a thriving business in Northern Anne Arundel County. Linthicum Heights: www.aachs.org.

Captain Avery Museum
    Explore the culture of late 19th century watermen in the Avery family home. Plus monthly lectures and luncheons. Shady Side: www.captainaverymuseum.org.

Chesapeake Beach Railways Museum
    In Chesapeake Beach’s original railroad station, see the story of the railway that brought city folk to this Bay resort. Chesapeake Beach: www.cbrm.org

Chesapeake Children’s Museum
    Young people learn about Chesapeake ecology in interactive exhibits and programs and outdoor trails. Annapolis: www.theccm.org.

Darnall’s Chance House Museum
    Go back in time in this 18th century house now featuring an exhibit on the War of 1812. Upper Marlboro: 301-952-8010.

Historic Annapolis Museum
    Historic Annapolis began as a grassroots movement to preserve the architectural legacy of buildings in downtown Annapolis. Since 1952, Historic Annapolis has saved and preserved 400 downtown buildings, making Annapolis a “museum without walls.” Annapolis: www.annapolis.org.

Historic London Town and Gardens
    The 23-acre riverside museum and park illustrates history, archaeology and horticulture in Maryland in original and reconstructed buildings, exhibits, gardens, events and activities. Edgewater: www.historiclondontown.com.

Jefferson Patterson Park and Museum
    Visit the country riverside home of the Jefferson Pattersons, now home to the Maryland Archaeological Conservation Laboratory. St. Leonard: www.jefpat.org.

U.S. Naval Academy Museum
    See the history of the Navy and the Naval Academy in paintings, ship models, uniforms, medals, swords, silver, important documents and more, including a moon rock. Annapolis: www.usna.edu/Museum.

Sandra Olivetti Martin
Editor and publisher; editor@bayweekly.com

A season’s worth of sitcom plots in two hours

The patriarch of the Altman family, an atheist, had one deathbed request: that his family sit Shiva for him. His four surprised children pack up their families and their issues to spend the seven days mourning as one big dysfunctional family.
    Matriarch Hillary (Jane Fonda: The Newsroom), a therapist who mined her children’s adolescent transgressions for book material, is thrilled to have her family united. The kids are less happy.
    Eldest son Paul (Corey Stoll: The Strain) has taken over the family business and is struggling to conceive a child with his baby-crazed wife. Middle child Judd (Jason Bateman: Bad Words) has just lost his job and his cheating wife. Wendy (Tina Fey: Muppets Most Wanted) is trapped in an unhappy marriage and consumed with motherhood. Youngest Phillip (Adam Driver: Girls), is a screw-up who dates his therapist and shirks every responsibility.
    In close quarters, the Altmans feud, laugh and heal — not because of any earned character development but because that’s what the protagonists do in movies of this sort.
    “All happy families are alike; each unhappy family is unhappy in its own way,” Tolstoy wrote, and it may have been true in the age of Anna Karenina. Now This Is Where I Leave You proves that unhappiness has become a cliché.
    All these Altmans are stereotypes. Paul believes that he’s inherited his father’s authority. Phillip is the perpetual baby. Wendy is the sardonic sister. Judd is the everyman bewildered by crazy relatives. If these characters seem familiar, it’s because you’ve seen them in Modern Family, Parenthood, August: Osage County, The Royal Tenenbaums and many more.
    The experience is much like watching a condensed sitcom with a season’s worth of plots crammed into a two-hour package. Director Shawn Levy (The Internship) is content to film the script this style. He also misuses the brilliantly talented women he’s cast, relegating them to wisecracking side characters who help the men resolve their issues.
    Performances give this dull slog its only fun.
    Bateman works overtime to make Judd, the protagonist, a relatable character. Fey, an experienced comedian, finds the funny beat in each line. Who wouldn’t want to watch a sitcom starring Jane Fonda? Always game for wry readings, she makes her matriarch funny. Driver is the breakout star of the film, using his manic energy to wring laughs out of ridiculous situations and lines.
    Because of them, This Is Where I Leave You is an entertaining diversion.

Good Comedy • R • 103 mins.

How to freeze your rockfish

We baked a whole, handsomely fat, 34-inch rockfish in a Cuban barbeque box (lacajachina.com) for my middle son’s college graduation. It was delicious. The remarkable thing about that treat was not that the dish came out so well (the barbeque box is simple to use) but that the fish had been stored in the freezer since the middle of last season. It tasted almost fresh-caught.
    Years past, I experienced much disappointment in freezing fish for longer than one or two months. Fish frozen for longer sometimes resulted in strong-tasting and stronger-smelling dinners.
    The difference is that vacuum-packing machines are much better at eliminating all air from the package; contemporary plastic bags also seem to be more durable and puncture-proof. Allowing any air to reach the fish during storage is a sure way to ruin its table quality.
    Preparing whole fish for freezing is a fairly simple affair. The fish should immediately be immersed in ice (but not ice water) after catching. As soon as practicable, it should be thoroughly scaled, eviscerated and the gills and all traces of organs removed. This includes scraping the backbone and inside of the head of all dark meat.
    The fish should then be thoroughly rinsed and dried. Finally rub it, inside and out, with olive oil. The coating of oil further protects the fish from air and allows it to slide into the ­vacuum bags without difficulty.
    Be careful to prevent the many sharp spines of the fish’s fins from puncturing the plastic bag during processing and storage. If the fish is moved at all within the freezer to access other foods, it should be
re-examined for vacuum failure.
    Now vacuum pack and store each fish individually in the freezer — not stacked together — to minimize freezing time.
    Freezing rockfish fillets is even simpler. Again, ice the fish immediately after catching. Fillet and skin as soon as possible. Remove the dark lateral line by incising along each side at a sharp angle, pulling that meat away and discarding. The dark meat is strong tasting, and that taste only gets stronger and migrates to the rest of the fillet over time in storage. The dark meat section is also where toxins tend to concentrate.
    Using the vacuum packer as before, process the flat fillets in quantities that are convenient to use all at once.
    If you don’t have a vacuum machine, fillets can be frozen almost as effectively by placing the pieces in appropriately sized heavy-duty zipper-locking freezer bags and adding water. Wrap the bags tightly against the fish, force out all the air and as much water as possible, seal and place them individually in the freezer. The added water insures that no air will reach the fish during storage.
    Maintaining a cold — at least zero-degree — freezer is also essential to long-term storage. Above that, bacteria can emerge and eventually cause unwanted flavor changes. Commercial fish storage is generally maintained at minus-20 degrees, but a household fridge may not be able to reach that temperature. Use an aftermarket temperature gauge and the lowest possible freezer setting for best results.
    I routinely can keep vacuum-packaged whole and filleted fish up to a year and water-filled frozen fillets up to six months without risking culinary disappointment. However, if the integrity of the vacuum sealing has been compromised during storage, there are only two remedies: thaw and cook the fish immediately or redo the packaging. Attempts to repair holes in the bags with tape or glue inevitably result in poor table quality.

Here’s the help you need to tackle fall’s long must-do list

There is so much to do!    
    That’s the fact that hits me on stepping out of my car at day’s end.
    I’ve just pecked at the landscape transformation plan I began, with professional advice, last spring — though I’ve been at it ever since.
    The Bay Gardener’s prescription for lawn renovation is tacked on my garden bulletin board from our 2013 Fall Home and Garden Guide — still waiting to be followed.
    In the vegetable beds, tomato plants are a shambles with late fruit still ripening. Soon, it will be time to follow Dr. Gouin’s advice in this year’s Guide and plant a cover crop of rye plus some beds of garlic and short-day onions. Among the fading perennials, pansies need planting and sweet William seeding.
    Out in back, those azaleas need digging up, soil replenishing and on their return sparkleberry holly and blueberries for company. Up the hill, another holly — a big one — needs moving.
    Oh and all that brickwork I’m imagining …
    That entire inventory announces itself before I get to the front door, which wants replacing. Just as my wood siding needs painting … my windows washing … and, worst of all, my basement waterproofing from the inside out.
    Inside, I’ll see more walls in need of fresh paint. My kitchen I must enter in sunglasses, lest I see counters that need replacing, which opens the door of desire to new cupboards …
    As night falls, autumn’s chill reminds me of more serious issues than these cosmetics: Chimney sweeping, weather stripping, insulating, heating-system checking.
    So much to do!
    Fall, like spring, is time for taking stock. Once I’ve taken stock, I’m so overwhelmed that my only thought is to head out to Second Wind Consignments for the fainting couch I’ve been admiring.
    What I need even more is expert help — and lots of muscle.
    I know where to get both. In the early copy of this year’s Fall Home & Garden Guide, I’ve met the experts. Now you will, too.
    This year’s annual Guide, like its spring partner, showcases the products and services of the advertisers who bring you Bay Weekly. Most weeks you get to know them through their ads. This week, they also speak to you directly, explaining how their work meshes with your inventory of must-dos.
    If you’re like me, you need their help. To get it, all you have to do is call. And, please, say you found them in Bay Weekly.

Sandra Olivetti Martin
Editor and publisher; editor@bayweekly.com